Rebecca Wilson’s A House with No Roof is a deeply touching story of spirit, of whatever thrust helps us keep moving forward, and of the sweetness and sorrow of families …
I think her story will blow you away.”
— Anne Lamott, bestselling novelist and essayist
A memoir of longing and coming to terms with irreplaceable loss—and the unexpected ways we survive.
In 1966, Rebecca Wilson’s father, a Union Leader and civil rights activist, was assassinated on the street in San Francisco. Rebecca— known throughout as “Becky”—was three years old. A House with No Roof is Wilson’s gripping memoir of how the murder of her father propelled her family into a life-long search for solace and understanding.
Following her father’s death, Becky’s mother, Barbara, desperate for closure and peace, uproots the family and moves to Bolinas, California. In this small, coastal town of hippies, artists, and “burnouts,” the family continues to unravel. To cope, Barbara turns to art and hangs a banner that loudly declares, “Wilsons are Bold.” But she still succumbs to her grief, neglecting her children in her wake. Becky’s brother turns to drugs while her beautiful sister chooses a life on the road and becomes pregnant. As Becky fumbles and hurtles toward adulthood herself, she comes to learn the full truth of her father’s death—a truth that threatens to steal her sanity and break her spirit.
Told with humor and candor
and with love and family devotion at its heart –
A House with No Roof
is a brave account of one daughter’s struggle to survive.
REVIEWS
“If I were a professor and taught a class on the legacy of violence,
I would make everyone read this book.”
— Dr. Joel Fay, psychologist and retired police officer

PACIFIC SUN
THUMBNAIL BOOK REVIEWS

THE ARK

SACRAMENTO NEWS

SAN JOSE MERCURY NEWS

SFGATE

HEARTS and MINDS
ON KWMR RADIO
The Place We Live
by Marc Matheson with Rebecca Wilson
Reading to John, Neshama Franklin reads from “A House with No Roof” Part 1.
Reading to John, Neshama Franklin reads from “A House with No Roof”, Part 2.
EXCERPTS
Ponies, from Chapter 4
For my eighth birthday, I got two big gifts: a large picture of my father and a fat brown Shetland pony with a white star on her forehead. Her name was Lisa. She cost $35.
My mother built her a corral in our front yard out of thin eucalyptus poles, weaving a gate out of red and green ropes. Then she made a flag—a white unicorn standing against a blue sky—to fly over the enclosure, but Lisa hated her corral. She also hated me.
The second night we had her, she lay down on her side, wiggled out under the fence, and ran away. We brought her back, and my mother added another row of poles to the bottom of the enclosure. Lisa chewed her way through the rope gate and took off again. My mom replaced the rope gate with sliding poles. It didn’t matter; the pony still got out.
Every morning, I got up and rushed to the window to see if she’d escaped. If she had, I woke Mother up, got a half bucket of oats, Lisa’s bridle, her halter, and her lead rope.
My mother grabbed a cup of coffee, and we drove down the dirt roads that crisscrossed the Mesa until we found her.
“Lisa’s an escape artist,” my mother said…
…Lisa grew fat on illicit flowers and hay. Finally, she got so big that she couldn’t escape anymore.
My mother was worried, and she called the vet.
“I hate to break it to you,” the vet said after examining Lisa, “but this pony is not fat—she’s pregnant.”
“What?”
“Yep, you got two ponies for the price of one.”
Dad, from Chapter 2

Mostly, what happened to Dad seemed like a black and white movie, distant and flat; events that happened over there, away from me. But sometimes I remembered fragments: my sister keening, the feeling of being very cold, like I was falling and falling; the front steps of our house at 121 Seventh Avenue in the inner Richmond District of San Francisco, tiled in a black-and-white mosaic; two men dragging a half-conscious Lee up those same stairs and into the house, his head falling forward on his chest; somber men in suits standing guard over us in front of the house . . . This talk of my Dad’s death made me both eager and terrified; stories about his murder came in flashes and shocks, often by accident. Stories of his life were more complete, told to me over and over again, like favorite bedtime stories. Even now, his absence is a mystery. Sometimes I feel ridiculous in my curiosity, like the baby bird from the story, Did you know my father?
But I want to run away from it, for fear—if I come too close—his death will swallow me, too.
Agate Beach, from Chapter 2

Kara, Ruby, and I were best friends. We dug in the sand at Agate Beach for smooth red, green, and blue agates and the brighter shards of bottle-green and blue beach sea glass. Atlow tide, we’d walk carefully along the edges of tide pools, looking for hermit crabs, sea snails, and starfish in pink, orange, red, and purple. We’d gently poke sea anemones to feel them close slowly over our fingers, like soft, cold mouths. When the tide came in, we waited as long as we dared before running back to shore.
Max and Chau, from Chapter 17

My wolves loved the beach. We’d pile into the car with all their gear—water bottles, water dish, snacks, leashes, ratty dog towels I’d bought at yard sales—and drive Shoreline Highway along the coast to Muir Beach, or Stinson. Each trip began with a ritual: Once on the beach, I unleashed them, threw up my arms, and yelled, “Go play!” They raced into the water and then ran in ever-widening circles, Max loping and grinning, Chau, born with bad hips, a little slower, but determined to keep up.

Later, she dug little dens in the sand and dragged huge pieces of driftwood through the waves. Max sometimes trailed small canines that looked suspiciously like prey, freaking both the dogs and their owners out. I’d wave, smile cheerfully, and call him back to me.
If it was hot, I’d build a shelter of scratchy driftwood boards and an old sheet I’d packed, and when they were tired, we’d settle under the shelter and picnic. Raw turkey dogs for them, a sandwich for me, potato chips for all. On the ride home, they were wet, sandy, and content, and they slept as hard as children.
ABOUT REBECCA
Rebecca Wilson was born in San Francisco and raised in Bolinas, California. She graduated from Scripps Women’s College Phi Beta Kappa and traveled to Scotland on a Thomas J. Watson Fellowship. During her time in Scotland she published her first book, Sleeping with Monsters: Conversations with Scottish and Irish Female Poets. She is the former assistant editor and special sections editor of The Ark newspaper in Tiburon; her work won state and national awards. She lives in Novato with her husband Malcolm and a cat named Madeline. Her recent creative focus is on making art. Her work can be seen at rebwilsonart.com.
BOOKS BY REBECCA
A memoir of longing and coming to terms with irreplaceable loss—and the unexpected ways we survive.
In 1966, Rebecca Wilson’s father, a Union Leader and civil rights activist, was assassinated on the street in San Francisco. Rebecca— known throughout as “Becky”—was three years old. A House with No Roof is Wilson’s gripping memoir of how the murder of her father propelled her family into a life-long search for solace and understanding.
TO ORDER:
SLEEPING WITH MONSTERS:
Conversations with Scottish and Irish women poets
Twenty-two women speak in this collection: their poetry, their politics, about making ends meet, about female forms, male muses, the monsters of sex, race, class and nation. Each poet is represented by an interview, a portrait and a selection of her work. Essential reading for women’s studies, Irish and Scottish studies and for anybody interested in exploring the cutting edge of poetry today.
A thinking woman sleeps with monsters
The beak that grips her, she becomes.
— Adrienne Rich from “Snapshots of a Daughter-in-Law” in Snapshots of a Daughter-in-Law, W.W. Norton and Company, New York; 1963.
Contact Rebecca: rwilsonauthor@gmail.com
© 2025 All Rights Reserved






